The film touted by critics as the most powerful propaganda piece ever was created for the Nazis -- it was also made by a woman. The bold and beautiful Leni Riefenstahl got her start as a ballet dancer in pre-war Berlin. When she saw an early Arnold Fanck film on mountaineering, she was literally s
"In the beginning there is nothing. It starts very small and becomes bigger." Pina Bausch creates epics, but they always retain that quality of having come from absence, of having been built piece by piece. Bausch's dances start with a single concept -- a kernel of movement, a memory -- which she bui
Eons before "Days of Our Lives" reared its ugly head on television, Tolstoy was a master of the soap opera. His serialized surveys of nineteenth-century Russian society are devoted to detailing in relentlessly romantic prose the epiphanies of love and war, the travails of the individual on the battle
In 1991, Matthew Barney exploded onto the New York art scene with all the force of his often insanely physical videos. Just eight years later, a New York Times article dared to crown him "the most important artist of his generation." The occasion was the release of "Cremaster," one of a cycle of five