The back jackets of much of Thomas Bernhard's English-language translations are burdened by such qualifications as "near genius" or "second only to Kafka and Beckett."  This, of course, is no small praise: there is no shame in being second to Kafka or Beckett; there is no shame in being a "ne

Melissa James Gibson is at once an anomaly among contemporary playwrights and a sterling emblem of her contemporary theatrical period.  As anomaly, she imbues each work with a singular integrity that seems almost defiant of the current overriding trend of theatrical collectives and hive-minde

There is something to Phillip Lopate that may make his followers feel particularly close to him, as if his work were known solely by them and a select few others; that this is not true, that he is in fact an immensely respected writer and scholar, would seem of little importance to these readers.

Recent graduate from Concordia University's Theatre Design program.