In his heyday, Robert Venturi was more theorist than architect. With a grasp of subtle architectural concepts, Venturi sought to define a Pop architecture for an American society that he claimed was bored by orthodox Modernist architecture. His building designs during the 1960s and 1970s exhibited a
He twists common colloquial forms -- like signs, stuffed animals and felt banners -- and infuses them with the dark psychologies and hidden undercurrents (sexual, metaphysical, and otherwise) of middle-class American culture, assaulting everything that society holds dear. From his first rambling perf