He twists common colloquial forms -- like signs, stuffed animals and felt banners -- and infuses them with the dark psychologies and hidden undercurrents (sexual, metaphysical, and otherwise) of middle-class American culture, assaulting everything that society holds dear. From his first rambling perf
In his heyday, Robert Venturi was more theorist than architect. With a grasp of subtle architectural concepts, Venturi sought to define a Pop architecture for an American society that he claimed was bored by orthodox Modernist architecture. His building designs during the 1960s and 1970s exhibited a
Basquiat emerged from the New York underground when he transferred his simplistic, figural graffiti to canvases full of dark, graphic picture-stories that served as emblems of the under-privileged. While the trend-hungry art world cashed in on Graffiti artists such as Keith Haring and Fab 5 Freddy, B
With so much ado about his urinals and wheels, it's easy to forget that Marcel Duchamp was also an exceptional painter. But Duchamp rejected painting. He rejected, that is, his talent. The fact that an exceptional painter rejected painting -- and ultimately may even have rejected art -- is precisely