In a time when much of American Independent Cinema falls on a spectrum with self-satisfied irony on one end and unabashed sentimentality on the other, David Gordon Green defies type. Orienting from the mantra “If I ever make anything clever, you can shoot me,” Green rose to prominence with emotio
Trained in philosophy at Harvard under Stanley Cavell before the cinema at AFI, Malick’s slim oeuvre foregrounds this inheritance: each of his four features to date is a period piece of American history; each trains an eye on the natural world (and its relationship with humans and human technologie