Critic and writer Luc Sante has been opining about art and culture since the mid-80s. He frequently contributes to the New York Book Review and has written for the Village Voice. His books include Low Life (1991), Evidence (1992), The Factory of Facts (1998), Walker Evans (1999), and Kill All You

Clever, Playful, Political

One of the most important Native American writers of the post-1968 generation, James Welch, to a large degree, established a genre. What he gave us was Native American Literature: literature unmistakably about Indian subjects, written by an Indian writer. His characters were never drawn from sensa

Clean, Clever, Deconstructive, Epic, Expansive, Figurative, Illusive, Lyrical, Mythic, Native american fiction, Native american poetry, Pioneering, Post-colonialism, Sincere, Spiritual, Sublime, Tragic, Tribal

Plato taught that the body is the mere avatar of the soul, its prison, or even its tomb. His student Aristotle, on the other hand, turned the order of things around. He conceived the soul as the emergent truth of the body, the body's most complete and self-fulfilling actualization. Obviously, Ari

Classical, Classical rhetoric, Clever, Contemplative, Eclectic, Masculine, Pioneering

Plato was a divided soul. Torn between reason and passion, he gave birth to a philosophy marked by disconcerting duality. On the one hand, Plato was an artist and a poet: he encased his concepts in mystifying myths and slippery metaphors, worked out arguments in the form of dialogues rather than dry

Classical rhetoric, Clever, Contemplative, Homoerotic, Ironic, Mythic, Pioneering, Spiritual