The medium didn't matter, but the object meant everything. Whether he was using his canvas for a Cubist experiment or his camera for an avant-garde digression, Fernand Leger always placed the object at the center of his work.
Leger was the only French Cubist to devote himself, throughout his c
Jean Epstein had a theory. The star of his theory was the machine -- an anti-hero, a character the audience loved to hate. Epstein recognized the machine as an extension of humans, who manipulate objects, but magnificently immortal. A filmmaker, Epstein cast the camera, his own personal extension, in