"It's very interesting because in my own life, I'm very private and low-key. For my work it's just the opposite; I want to be involved with the audience and society. My work, actually, is not art for art's sake; it's more on the cultural side and the way you talk about culture can extend to politics,
Tackling the history of nations and colonies from the perspective of the "liminal spaces" between dominators and dominated, Homi Bhabha insists that all cultural identity is essentially and originally hybrid. By "liminal space," Bhabha means the site of conflict, interaction, and mutual assimilation
Few artists' careers appear to be more disjunctive than Richard Prince's. He garnered his fame (either earned or overrated, depending on whom you talk to) as the '80s king of "Appropriation Art," a school of photographers who, simply put, championed ripping off intellectual property as a form of s
Martin Margiela has been called the J. D. Salinger of the fashion world, and rightly so -- he refuses to be photographed and will only be interviewed by fax. He won't even put his name on his clothes, branding them instead with a blank label.
Margiela is perhaps the most underexposed designer aro