Few artists' careers appear to be more disjunctive than Richard Prince's. He garnered his fame (either earned or overrated, depending on whom you talk to) as the '80s king of "Appropriation Art," a school of photographers who, simply put, championed ripping off intellectual property as a form of s
For Video artist Stan Douglas, the moment is always a multiple, layered event. Each moment speaks in chorus -- sometimes in harmony, sometimes not, but always in provocative juxtaposition.
Take his 1994 piece entitled "Evening." On three screens that are almost cinematic in scope, three stations
Hybridity is the name of Shu Lea Cheang's game. Her co-participants are artists and cyber-communitarians everywhere. The artist's earlier participation in the activist video/media art movement of the 1980s has slowly mutated to incorporate new communications technologies -- like the Internet -- to ex
Andre Breton's hallucinatory approach to poetry emerged as a reaction against the tiresome literary conventions of Paris in the 1920s. Abandoning traditional notions of creativity and promoting the philosophical and political ideals of the Surrealist movement, Breton's highly stylized yet spontane