Britta Jager describes herself as an art terrorist. Each of her work inherited dimensions of art terror. Main purpose of her concepts are the invasion of thinking and recreation of another view. Short called: art guerrilla. Every form of attacking our intellect is approved and states her signature
Takahashi is a gardener of junk. With the utmost patience she tenderly weeds through a crazy jumble of found objects -- clocks, hammers, old paint buckets, scraps of paper, electric fans -- and arranges them in a most fastidious manner. While her installations look like the scene of an accident or a
Four headless figures -- a man, a woman, and two children -- stand at attention as if in a drawing room, perhaps: they're hard to situate. Their clothes' colorful fabric clashes violently with a laced-up style. In "Nuclear Family" (1999), Yinka Shonibare has fashioned African batik prints into the Vi