"It's very interesting because in my own life, I'm very private and low-key. For my work it's just the opposite; I want to be involved with the audience and society. My work, actually, is not art for art's sake; it's more on the cultural side and the way you talk about culture can extend to politics,
On June 9, 1978, an obituary appeared with the headline "On the death of Hannah Hoch, the bob-haired muse of the Men's Club." For much of her life, Hoch had been characterized as the "It Girl" of the macho Berlin art circle dominated by George Grosz, John Heartfield, Richard Huelsenbeck, and Raoul Ha
"Art," Yayoi Kusama once said, "is both the symptom and cause for my obsession." Indeed, her works -- many of which amalgamate thousands of polka dots into recognizable forms -- are the manifestation of the spots, nets, and flowers that she has seen in hallucinations since childhood. Many cite her tr
When the arts were being revolutionized in Paris in the 1920s, sculpture was being pushed in two directions: toward the abstract and toward the constructive. Much of the stylistic developments came from Cubism, while Surrealism introduced the subconscious as a source for subject matter. And the young