The work of Jacob Lawrence brings African American history to the walls of museums and galleries when many American schools neglect to bring it into the classroom. Early in life, he became a student of African American history and depicted its richness in his colorful narratives: the "Toussaint L'Ouv

African american fiction, Composed, Eclectic, Geometric, Harlem renaissance art, Mythic, Polychromatic

Roland Barthes gleefully eluded any attempt to reduce or classify his thought. He was instrumental in spreading word of Structuralism and Semiotics both within and beyond the academy. His "Mythologies" -- a series of pithy readings covering everything from wrestling to soap ads -- remains a canonical

Eclectic, Homoerotic, Layered, Semiotics, Structuralism

According to Critic JoAnn Cannon, the key to Italo Calvino's renowned final novel, "Mr. Palomar" (1983), lies in several innovative literary ideas outlined in three essays written in the 1950s (and now included in the 1982 collection "Una pietra sopa"). These essays grappled with his contemporaries'

Clean, Eclectic, Experimental, Layered, Postmodern fiction, Spare, Surreal

Gilles Deleuze was a French philosopher whose work resists facile classifications such as Postmodern or Poststructural. Indeed, the concept at the core of his methodology -- if we can still use that word -- is difference. According to the odd logic of difference, a thing -- a text, a chair, a concep

Discourse as event, Eclectic, Event, Hallucinatory, Kinetic, Pop, Poststructuralism, Psychedelic, Quirky, Repetition, Round, Trippy