At the end of the nineteenth century, there was probably no greater way to gain international recognition as an artist -- or anything else for that matter -- than to be associated with the brilliant actress Sarah Bernhardt. Czechoslovakian painter Alphonse Mucha would get just that opportunity. As a
As architect for the Contemporary Arts Center in Cincinnati, Ohio, Hadid was asked about the possibility of creating a neutral space to house art. She contended, "'Neutral space' is a wishful oxymoron. All space is colored by individual memory and experience." The experience and memory this world-fam