Betsey Johnson was always cool. All the It-girls of the mid-1960s sported her clothes: Twiggy draped them across her bony shoulders, while Julie Christie, Brigitte Bardot, and Raquel Welch filled the flashy duds out. Johnson designed for the definitive '60s boutique Paraphernalia, recruiting as her m
Mouse on Mars spins symphonies of wet blips, bleeps, buzzes, and beats into disjointed ditties of electronic joy. Since the early '90s, the D'sseldorf duo of Jan St. Werner and Andi Toma has been composing a world within an electronic soundscape that is anything but cold. It's as if these two only fi
Edge Design has a flair for the playfully sophisticated pitch. They create images that are nuanced but cartoonish, displaying a concentrated yet accessible wit. Irony and contradiction animate their ideas, and their advertisements reveal the essences of products through simple, incisive metaphors. Th
Standing there among all the Sensation hubbub, somehow overshadowed by issues of elephant dung, were 21 child-sized mannequins wearing identical running shoes and standing in a circle. Some had penises where their noses should be, some had anuses in lieu of mouths, and vaginas melded the ring of bodi