Peter Eisenman was the leader of a loosely knit group of New York architects, called the New York Five (John Hejduk, Michael Graves, Charles Gwathmey, and Richard Meier rounded out the five), who made an effort to introduce a theory and artistry of architecture as rigorous as that of the European ava
Joel and Ethan Coen cut their teeth on relatively low budget, fringe films. The black-humored brothers' deviant reinterpretations of Hollywood formulas laugh in the face of the studio system. Influenced more by cartoons, B-movies, and exploitation flicks than by pretentious prestige productions, the
At the forefront of architectural design since beginning his practice in 1964, Michael Graves can be counted among such architectural heavyweights as Robert Venturi, Frank Gehry, and Charles Gwathmey. Graves' work has diverted the evolution of urban architecture away from Modernist abstraction and to
Ono's work has generally consisted of quiet, personalized, meditative pieces, as well as "event" shows or Happenings, all of which were highly conceptual and often required observer participation to complete. In her "Stone Show" (early 1960s), participants entered a room measuring about 20 square fee