Jeremy Blake's innovative "time-based" paintings drew their inspiration, in part, from abstract films from the 1940's and 1950's including those of Oskar Fischinger but utilized technology to achieve incredible color transitions and other visual effects. Yet Blake was not a technologist; he was firml
Adams, an American photographer who emerged as part of the photographic movement known as New Topographics. He was a John Simon Guggenheim Memorial Foundation Fellow in photography in 1973 and 1980, and received a MacArthur Fellowship in 1994.
Although Adams was born in the industrial town of Orange