Jimmy Chen romanticizes the prosaic aspects of modern life, lending a sensibility which elevates and makes it-for him-bearable. Through this, his images become marked with an ephemeral presence and uncanny grace.
Primarily interested in cityscapes because of the imposition of urban growth, Jim
Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li