Much has been made about Fiona Rae and her fellow British New-Wavers. Rae is
both celebrated and criticized for her habit of copping the trademarks of
American Abstractionists and Pop artists, but at the heart of her
second-generation appropriation is an analytical concern for technique. Her
canvases
Reluctant rock star and style-transcending musical pioneer, Beck burst onto the scene in 1994 with his critically acclaimed album "Mellow Gold." Its oddball folk-rap hit, "Loser," struck a chord with a Dylanesque slide guitar, psychedelic samples, a hip-hop beat, and the catchy refrain, "I'm a loser
DJ Spooky was born Paul D. Miller in 1970 in Washington DC. His father was a lawyer and Howard University professor who passed away when Miller was only three years old, leaving his son an extensive collection of records. Though his father was absent, the record collection allowed Miller to get acqua
This Bay Area-based group embodies the "sampledelic" appropriationist ethos of experimental music at the close of the twentieth century: Negativland exists by purloining and retooling the work of others for use in their own songs. Their music comprises hundreds of samples derived from music made ubiq