Four headless figures -- a man, a woman, and two children -- stand at attention as if in a drawing room, perhaps: they're hard to situate. Their clothes' colorful fabric clashes violently with a laced-up style. In "Nuclear Family" (1999), Yinka Shonibare has fashioned African batik prints into the Vi
Their message is explicit: "We want to spill our blood, brains, and seed in our life-search for new meaning and purpose to give to life." Although it's difficult to say what this new meaning might be, it's clear that Gilbert & George think they can find it in bodily substances. Shit, piss, blood, uri
Standing there among all the Sensation hubbub, somehow overshadowed by issues of elephant dung, were 21 child-sized mannequins wearing identical running shoes and standing in a circle. Some had penises where their noses should be, some had anuses in lieu of mouths, and vaginas melded the ring of bodi
Few artists' careers appear to be more disjunctive than Richard Prince's. He garnered his fame (either earned or overrated, depending on whom you talk to) as the '80s king of "Appropriation Art," a school of photographers who, simply put, championed ripping off intellectual property as a form of s