Few artists' careers appear to be more disjunctive than Richard Prince's. He garnered his fame (either earned or overrated, depending on whom you talk to) as the '80s king of "Appropriation Art," a school of photographers who, simply put, championed ripping off intellectual property as a form of s
For Video artist Stan Douglas, the moment is always a multiple, layered event. Each moment speaks in chorus -- sometimes in harmony, sometimes not, but always in provocative juxtaposition.
Take his 1994 piece entitled "Evening." On three screens that are almost cinematic in scope, three stations