"The writer is in a god-like relation to what he creates," Martin Amis once mused in an interview. The question that logically follows is: what kind of god is Amis? Well, he is clearly not the god of Leibniz, who could only create the "best of all possible worlds." In fact, the case could easily be m
Junichiro Tanizaki wrote erotically and ironically about the dynamics of Japanese culture and the effect of Western influences on tradition. In a style that is delicate and emotionally powerful, Tanizaki's narratives progress through dialogue and careful description without an omniscience narrator. T
Crowds, conspiracies, consumer society, and futile attempts to thwart despair -- these are the trademark features of the work of Don DeLillo, a prolific American novelist at the edge of contemporary trends.
DeLillo is undoubtedly an ironist, as his characters relentlessly mock their relation to
"In the work of every American playwright at the end of the twentieth century, there are only two stages: before she or he has read Maria Irene Fornes -- and after."
Though Paula Vogel's words are a fitting tribute to this dramatist's sensitive works, it's not surprising if Fornes' name draws a b