Sandra Bernhard dares us to behold her in all her glory: she is a defiant, self-made beauty queen, a queen who knows that confidence is everything. In the body- and image-obsessed town of Los Angeles, Bernhard has managed to foster a steadily thriving career as an astute and wickedly funny cultural c

Agitated, Eclectic, Elegant, Grand, Sardonic, Sexy, Solo performance, Witty

In 1931 the audience rose in tribute as Saint Sa'ns' music from "The Dying Swan" played to an empty stage. Anna Pavlova had just died of pleurisy. On her deathbed, she issued one last request: "Bring my swan costume." By the end of her illustrious career, the swan had become her emblem. One stunning

Charming, Ecstatic, Feminine, Glamour, Grand, Opulent, The early russians

With long, lithe, limber legs, impossibly arching feet, and enviable turn-out, Michael Clark's physique resembles that of a ballerina. He has even pushed that comparison himself by donning a tutu. On the other hand, he's also danced around in an "I Hate NY" T-shirt and his birthday suit. Clark exp

Body politic/identity dance, Classical, Dissonant, Erotic, Expansive, Grand, Gritty, Manic, Pure movement

Out of the cross-dressed history of Japanese Kabuki and Noh theater comes Takarazuka Revue, a butch/femme drag show of mammoth proportions. The 86-year-old revue renders Western musicals in an all-girl extravaganza of romance and chivalry. In 1914 Ichizo Kobayashi, a Hankyu railway magnate, founded

Charming, Ebullient, Grand, Sexy