In 1931 the audience rose in tribute as Saint Sa'ns' music from "The Dying Swan" played to an empty stage. Anna Pavlova had just died of pleurisy. On her deathbed, she issued one last request: "Bring my swan costume." By the end of her illustrious career, the swan had become her emblem. One stunning
With long, lithe, limber legs, impossibly arching feet, and enviable turn-out, Michael Clark's physique resembles that of a ballerina. He has even pushed that comparison himself by donning a tutu. On the other hand, he's also danced around in an "I Hate NY" T-shirt and his birthday suit.
Radiohead's musical gestures are grand, even spacious, but they are neither airy nor light. Indeed, the space of this music is dense. Beneath the stupendous angst of their songs Radiohead creates a minute, complex texture, a flexible network of distortions and modulations. The band's angst turns in o
In a well-appointed flat, a series of scenes unfolds around the circumference of a room: a man sits on a couch, head resting on his fist as if lost in troubled thoughts; across the room another man crouches over a dark wood chest -- is he doubled over in pain or merely inspecting the valuable antique