Lauded by Details Magazine as "the metal machine music of Lou Reed's nightmares," Future Sound of London bridges the gap between the driving beats of techno and the pleasant waves of orchestral ambient music. Out from the trashbin of mid-'90s techno, the group's sound has emerged without a smudge.
When Beth Orton sings about how far we've come or how far we'll go, something rustles inside. Escape and sudden liberation somehow seem possible. You want to grab you car keys, let your hair go, and "roll away." Orton's voice holds familiar secrets that speak to us individually; she is an old friend,
Intertwining instrumental sounds, texts, and environmental samples, Charles Amirkhanian creates dreamy and disjointed durations of immersive experience. A synthesis of electronic and acoustic effects, voices and background noise, his compositions strive to capture listeners' bodies and minds in tonal
Like the poetry of Wallace Stevens, Henryck GÃ³recki 's music seems cerebral almost to the point of insularity. Stevens wrote: "Here, now, we forget each other and ourselves." Of course, no art exists in a vacuum, carrying as it does an inherent quality of communication. Yet, there are those artist