Lauded by Details Magazine as "the metal machine music of Lou Reed's nightmares," Future Sound of London bridges the gap between the driving beats of techno and the pleasant waves of orchestral ambient music. Out from the trashbin of mid-'90s techno, the group's sound has emerged without a smudge.
When Beth Orton sings about how far we've come or how far we'll go, something rustles inside. Escape and sudden liberation somehow seem possible. You want to grab you car keys, let your hair go, and "roll away." Orton's voice holds familiar secrets that speak to us individually; she is an old friend,
As architect for the Contemporary Arts Center in Cincinnati, Ohio, Hadid was asked about the possibility of creating a neutral space to house art. She contended, "'Neutral space' is a wishful oxymoron. All space is colored by individual memory and experience." The experience and memory this world-fam
"Now Japan is a very small, flat, unified world. Everything is very small and very much the same. There are no Others. It tends to be relaxing but it can also be dull. You can't meet with the New or the Strange."
Ryu Murakami's words might seem bleak to a Western audience. But to better understan