Roadsworth began painting the streets of Montreal in the fall of 2001. Initially motivated by a desire for more bike paths in the city and a questioning of "car culture" in general, he continued to develop a language around street markings and other elements of the urban landscape using a primarily s
Diana Heise’s art practice is invested in creating a free space for contemplation that lends itself to mutual understanding and the promotion of non-violence. Ms. Heise’s work has taken a variety of forms including performance, installation, photography, film, video, text, sculpture and sound.