Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li
If Paul Rotha was going to be fired, he was going to be fired by the best. In the early years of his career, while working as an assistant designer for Hitchcock, Rotha published a scathing article on the stagnation of British film. The future master of suspense was not impressed. Hitchcock canned Ro