He was born in Como, Lombardy. A builder by training, he opened a design office in Milan in 1912 and became involved with the Futurist movement. Between 1912 and 1914, influenced by industrial cities of the United States and the Viennese architects Otto Wagner and Adolf Loos, he began a series of des
Sir John Vanbrugh approached everything he did with audacity. The fact that he shifted in midlife from literature to architecture is proof enough of this boldness. But the plays were in themselves daring and controversial, while the architecture challenged the norms of the day. Clearly, it was not
Faced with an unforgiving lump of marble, the 80-year-old Michelangelo sent more splinters soaring (and at three times the speed) than three robust stone cutters could produce. Mad with loneliness (his lover, Vittoria Colonna, closest friend, Luigi del Riccio, and lifetime servant, Urbino, were all d
Peter Eisenman was the leader of a loosely knit group of New York architects, called the New York Five (John Hejduk, Michael Graves, Charles Gwathmey, and Richard Meier rounded out the five), who made an effort to introduce a theory and artistry of architecture as rigorous as that of the European ava