When Vladek Spiegelman took his son Arthur aside one day to teach him about the Holocaust, it was more than a history lesson; it was a survival lesson. He drew diagrams of the shelter in which he had hidden his family -- not pictures, but simple, urgent drawings that mapped out, in the father's mind,
"Film is like a battleground," Sam Fuller once said. Although he was speaking not as himself but in a cameo role as a filmmaker in Jean-Luc Godard's "Pierrot le Fou," the comparison applies perfectly to his own directorial work. Cigar firmly planted between his lips, Fuller has been getting tough in
Australian director Baz Luhrmann burst onto the international scene with his hit film, "Strictly Ballroom," a funny, campy romantic fable set in the world of competitive dance. Originally produced by Luhrmann as a 30-minute stage play, "Strictly Ballroom" premiered at the 1992 Cannes Film Festival, w
Like Pina Bausch, Anne Teresa de Keersmaeker has an affinity for the dramatic and overwrought -- Mark Morris even dubbed her "Anne Teresa de Tearjerker." However, we cannot overlook the rigor with which she approaches form. Her pattern-making has been compared to that of such Minimalists as Laura Dea