It took Mike Leigh many years to perfect his dramatic technique and find the ideal actors to collaborate with, but he did. Ever since he discovered improvisation while training as an actor at the Royal Academy of Dramatic Art, he has made it the core of his productions. Beginning without a script, Le
To speak of William Shakespeare is to speak of the infinite. Perhaps no other writer in history has mapped the human heart as thoroughly, as profoundly, as Shakespeare did. Even 400 years after his death, he lives on as we reinterpret his work, easily translating his words into contemporary contex
Emboldening classical ballet, the Dance Theater of Harlem takes up the old and gives it an articulate, contemporary spin. The group sharpens the edge of the familiar with a bit of bombast, but always with impeccable classical precision.
Arthur Mitchell founded the DTH in 1969, inspired to create
When explaining the physical sensations of her movement, Mary Wigman seemed to describe an intimate duet in which the surrounding space was her partner. Space for Wigman was animate, actively molding and defining her movments. She described the way air pressed down on her limbs to create gestures, an