John Dryden achieved no small feat in having the politically tumultuous period of the mid- to late-17th century now referred to – not without disputation, and admittedly only in literary circles, and admittedly not a great deal more these days – as the Age of Dryden. This phrase
Sir John Vanbrugh approached everything he did with audacity. The fact that he shifted in midlife from literature to architecture is proof enough of this boldness. But the plays were in themselves daring and controversial, while the architecture challenged the norms of the day. Clearly, it was not
Emboldening classical ballet, the Dance Theater of Harlem takes up the old and gives it an articulate, contemporary spin. The group sharpens the edge of the familiar with a bit of bombast, but always with impeccable classical precision.
Arthur Mitchell founded the DTH in 1969, inspired to create