Bonnard was intimate with all the women he painted: he knew them, as it were, by hand. In his soft, blurred splotches of bright color lies the closeness of the caress, the insights the fingers have divined. Indeed, Bonnard did not ask his models to sit for long, if at all; from a brief sketch he fill
Some works of art effortlessly draw the core of their subject to surface. William Blake, the great predecessor to the Romantics, understood this well. Whether in a lyrical, allegorical poem like "The Echoing Green" or in the almost futuristic engravings for "The Book of Urizen," he exemplified the ar
Love and war may be huge themes, but Sebastian Faulks approaches them from a microscopic perspective. He detects love in the minute movements of a woman's fingers; in a man's manner of crawling through trenches, he captures fear and torment. Faulks is involved in a romance with detail, charging every
Michael Tippett was never satisfied with one kind of musical form. Operas, symphonies, concertos, sonatas, choral works, string quartets -- he dabbled in them all. Even within a single work, he was fond of combining numerous influences, from Beethoven to English folk music to reggae to rap. Tippett's