Charlie Kaufman is one of the most well-known screenwriters in American cinema, a rare position in a field dominated by directors. His work is known for being highly inventive, self-referential, postmodern, and surreal. He wrote Being John Malkovich and Adaptation (both directed by S
Oscar Wilde pursued a life -- an art -- of pure uselessness. This was not because he objected to pragmatic pursuits, if kept in their proper place: "We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it inten
"In the work of every American playwright at the end of the twentieth century, there are only two stages: before she or he has read Maria Irene Fornes -- and after."
Though Paula Vogel's words are a fitting tribute to this dramatist's sensitive works, it's not surprising if Fornes' name draws a b
His artistic avocations were many -- poet, novelist, painter, playwright, set designer, actor -- but Jean Cocteau's work as a filmmaker distilled his creative vision with a special lucidity. In film he could bring his Surrealist language and imagery together, making the dreamlike palpable and present