To read William Burroughs is to discover a different world where people speak a different language -- a world you thought existed but never knew you thought existed. It is a place where borders are temporary, even viscous: bodies ooze and slime, semen flows freely, erections leap across the pages, an
Imagine holding the end of a live wire in each hand. Now imagine one end is shaped like a turtle and the other end is, let's say, Pavarotti's beard. Now bring them together. Feel that electricity? That's called art -- or at least it's a metaphor for the Surrealist art of Max Ernst.
His artistic avocations were many -- poet, novelist, painter, playwright, set designer, actor -- but Jean Cocteau's work as a filmmaker distilled his creative vision with a special lucidity. In film he could bring his Surrealist language and imagery together, making the dreamlike palpable and present
According to Critic JoAnn Cannon, the key to Italo Calvino's renowned final novel, "Mr. Palomar" (1983), lies in several innovative literary ideas outlined in three essays written in the 1950s (and now included in the 1982 collection "Una pietra sopa"). These essays grappled with his contemporaries'