Nino Rota was one of the most prolific and acclaimed film composers of his era, and his 30-year collaboration with Fellini became one of the classic director-composer pairings. His soundtrack credits range from Fellini's "La Dolce Vita" to Franco Zeffirelli's "Romeo and Juliet" to Francis Ford Coppo
Man Ray was born Emmanuel Radnitsky, the son of Russian-Jewish immigrants who had settled in Philadelphia. In his early twenties he changed his name -- after years of being taunted because of its foreign sound. Ray's talents were obvious even in childhood. He was skilled at building, repairing, in
Ray's primary thematic concerns center around containment, integration, isolation, and self-sufficiency. A leader in Conceptual Realism, Ray's best work offers a metaphor for the gap between the literal and the symbolic (or the known and the unknown).
His art is compelling in its representation
"Felliniesque" -- even if you have never watched a scrap of his film, this adjective summons up a world of oddity, magnificence, and pathos that testifies to Federico Fellini's creative genius. Initially part of the Italian Neorealist wave, he soon veered towards an idiosyncratic style all his own. F