The work of Australian artist Georgie Roxby Smith challenges the relationship between analog and digital systems, questions materiality and explores new possibilities of virtual reality software. In her recent Watermill Center residency, Smith collaborated with new media and theater

Absurd, Agitated, Deconstructive, Dystopic, Electronic, Experimental, Figurative, Grotesque, Hallucinatory, Hi-tech, Solo performance, The digital era, Theater of the absurd, User interface, Utopian visions, Virtual reality, Young british artists

Born in Rapperswil/CH, 1954

University of Fine Arts, Zurich/CH, 1974-1979
Whitney Museum Independent Study Program, New York, 1981

lives and works in New York and Zürich


Selected Solo Exhibitions

2008 Museo d'Arte Co

Architectural, Death, Enigmatic, Experimental, Hi-tech, Hypnotic, Organic, Perceptual, Pioneering, Sublime

An Art Foundation Student, who's interested in Graphic Design, Animation and Visual Arts. Also known as 'Gwena', (another artist name), which means 'smile' or 'to smile'. Inspired by the likes of Hayao Miyazaki, Titi Freak, Banksy, Miss Van, amongst many others, Lowri/Gwena's interests in all thing

Dark, Hi-tech, In-your-face, Quirky, Smart, Technology, Tense, Tribal

Abstract, Bright, Chance, Hi-tech, Mathematical, Technology