In 1921 a French critic posed a priceless question:
"By what witchcraft did [Vermeer], representing the most
daily and commonplace sights, manage to give the
viewer so mysterious, so grand, so exceptional an
emotion?" Vermeer produced only 36 paintings before he died at 43. Yet each piece blissfully
When Beth Orton sings about how far we've come or how far we'll go, something rustles inside. Escape and sudden liberation somehow seem possible. You want to grab you car keys, let your hair go, and "roll away." Orton's voice holds familiar secrets that speak to us individually; she is an old friend,
Butoh is always intense. It is the dance of darkness after all. But in the work of the second-generation Butoh company, Sankai Juku, there is a peaceful element, more otherworldly than visceral. Even their name, which means "studio by the mountain and the sea," implies serenity and calm. Their wor
A more emotional list of materials for Tadao Ando's buildings would include light, stillness, and space in addition to concrete, glass, and steel. A self-taught architect, Ando wandered the streets and back alleys of the United States, Europe, Africa, and his native Japan, studying places and spaces