"The writer is in a god-like relation to what he creates," Martin Amis once mused in an interview. The question that logically follows is: what kind of god is Amis? Well, he is clearly not the god of Leibniz, who could only create the "best of all possible worlds." In fact, the case could easily be m
Beaver coats, hooch, Roadsters, flappers, the Charleston, and hot jazz -- all these ingredients blended in the punch bowl that was the Roaring Twenties, the era in which F. Scott Fitzgerald and his wife Zelda were the crown prince and princess of the fast set. The author had gained wealth, excitement
Crowds, conspiracies, consumer society, and futile attempts to thwart despair -- these are the trademark features of the work of Don DeLillo, a prolific American novelist at the edge of contemporary trends.
DeLillo is undoubtedly an ironist, as his characters relentlessly mock their relation to
In the period that marked the end of Imperial Russia, Fyodor Dostoevsky was an ardent defender of the old Empire. Despite his undying devotion to Russian liberalism and his complete rejection of Western influences, Dostoevsky did not see his work as a platform for his own political diatribe. Unlik