The bleakest, filthiest junkhouse in the mansion of rock 'n' roll serves as a crash pad to the memory of this band, which romanticized every deadly vice and self-destructive habit known to man. Founded in the early 1960s by Lou Reed, an educated Jewish junkie, and the classical violist John Cale, the
American poet Anne Sexton could tell a story that would elicit tears. And yet, her words hold the ring of truth as well as the hollow toll of misery and despair. Just when the sense of her lines seems unbearable, the poetry of them hooks into the reader's veins and persists there. Sexton, a Confessio
A vocal faction insists that Welles never produced anything worthwhile after his milestone directorial debut, "Citizen Kane." Even those who find a hint of brilliance in "The Magnificent Ambersons" and "Touch of Evil" dismiss the last decades of Welles' life as a sad parade of impractical projects an
"My characters are not violent or vile. They're everyday people. They have some money, but find themselves discontented with their own loneliness, their own mortality, the sameness of life." Championing a gritty, unencumbered approach to filmmaking, John Cassavetes directed his art toward a new front