Melissa James Gibson is at once an anomaly among contemporary playwrights and a sterling emblem of her contemporary theatrical period.  As anomaly, she imbues each work with a singular integrity that seems almost defiant of the current overriding trend of theatrical collectives and hive-minde

As with any movement of which its title and ideological thrust is foisted unwittingly and often unwarrantedly upon its supposed members, the Theater of the Absurd is as awkward and uneasy a fit for Eugène Ionesco's literary and artistic endeavors as they are for Samuel Beckett or Jean Genet