"Film is like a battleground," Sam Fuller once said. Although he was speaking not as himself but in a cameo role as a filmmaker in Jean-Luc Godard's "Pierrot le Fou," the comparison applies perfectly to his own directorial work. Cigar firmly planted between his lips, Fuller has been getting tough in

Angry, Anxiety, Dramatic, In-your-face, Political

Todd Haynes' biography reads as if he were an unlikely mix between Cheech Marin, John F. Kennedy Jr., and Quentin Crisp. Haynes was born in Los Angeles and educated at Brown University, where he was awarded an honors degree in Art and Semiotics in 1985. He is also the first -- and possibly only -- ar

Anxiety, Funny, Neurotic, Queer

"My characters are not violent or vile. They're everyday people. They have some money, but find themselves discontented with their own loneliness, their own mortality, the sameness of life." Championing a gritty, unencumbered approach to filmmaking, John Cassavetes directed his art toward a new front

Anxiety, Event, Gritty, Intense, Intimate, Open-ended, Psychological, Sincere, Sprawling

A vocal faction insists that Welles never produced anything worthwhile after his milestone directorial debut, "Citizen Kane." Even those who find a hint of brilliance in "The Magnificent Ambersons" and "Touch of Evil" dismiss the last decades of Welles' life as a sad parade of impractical projects an

Anxiety, Enigmatic, Epic, Excessive, Huge, Voluminous, Witty