"Film is like a battleground," Sam Fuller once said. Although he was speaking not as himself but in a cameo role as a filmmaker in Jean-Luc Godard's "Pierrot le Fou," the comparison applies perfectly to his own directorial work. Cigar firmly planted between his lips, Fuller has been getting tough in
When Vladek Spiegelman took his son Arthur aside one day to teach him about the Holocaust, it was more than a history lesson; it was a survival lesson. He drew diagrams of the shelter in which he had hidden his family -- not pictures, but simple, urgent drawings that mapped out, in the father's mind,
Arthur Rimbaud made his way through language like some crazed channeler of unseen forces. As a Symbolist poet, Rimbaud scrambled the senses and his prose, forging a synesthetic wash of words sustained by their own momentum and internal sense. There is no clear form (he did not write sonnets); there's
Saul Bellow became one of the twentieth century's great novelists by following the dictum that is repeated to all young fiction writers: Write what you know. Beginning with his first novel, Bellow's voice spoke from the center of his life and times. "The Dangling Man" (1944) tells the story of a youn