Richard Lester is the Brian Epstein of film. Or maybe the George Martin. Knowingly pop yet classically grounded, Lester made films with a unique stamp. Artful camera work, action shot simultaneously from several viewpoints, and rapid cutting techniques are hallmarks of his work, which combines elemen

Charming, Eclectic, Moody, Pop, Psychedelic, Quirky

As an audience, we have learned to expect standard portions of plot, characters, and action when we go to the movies. These elements, coupled with the logic of the satisfying (if not happy) ending, have become the criteria by which we evaluate our experiences as film consumers. Perhaps this is why An

Illusive, Minimal, Post-war italian film, Psychedelic

Gilles Deleuze was a French philosopher whose work resists facile classifications such as Postmodern or Poststructural. Indeed, the concept at the core of his methodology -- if we can still use that word -- is difference. According to the odd logic of difference, a thing -- a text, a chair, a concep

Discourse as event, Eclectic, Event, Hallucinatory, Kinetic, Pop, Poststructuralism, Psychedelic, Quirky, Repetition, Round, Trippy