Four headless figures -- a man, a woman, and two children -- stand at attention as if in a drawing room, perhaps: they're hard to situate. Their clothes' colorful fabric clashes violently with a laced-up style. In "Nuclear Family" (1999), Yinka Shonibare has fashioned African batik prints into the Vi
The kids rush to the television, eager for the show "UgoUgo Lhuga" to tune in. As their parents look on in wonder, the children position their cell phones with their dialing fingers poised. Two sumo wrestlers appear on the screen and prepare for a bout. The children pick up the phones and relay comma
Silicone cyborgs with missing organs and limbs, towering balloon monuments, and sequin-encrusted dead fish? These are just a few of the works created by Lee Bul, a Korean artist with a taste for odd materials and a love of interactive art. Lee has a highly nuanced approach to her projects. Behind eve
In the mid-1980s, Wang Guangyi espoused a humanist vision of art for post-Mao China. His series of paintings entitled "Frozen North Pole" sought to evoke, in the artist's words, "a kind of beauty of sublime reason which contains constant, harmonious feelings of humanity." Abstract human figures place