Comfortable flamboyance is the key to the fashion designs of Paul Smith. In his hands, bright colors and floral prints seem natural and even inviting. He embraces embellishment and extravagance while still paying heed to utilitarian goals, designing loose-fitting, ephemeral, yet sharp clothes that hi
"In order to educate man to a new longing," Constructivist Alexander Rodchenko once wrote, "everyday objects must be shown to him with totally unexpected perspectives and in unexpected situations." Fifty years later, in the late '70s, Neville Brody adopted this as his mantra and launched a full-scal
Sir Giles Gilbert Scott II has shaped the modern, urban British landscape -- even if many people don't know it. His work is as archetypically British as golden arches were, once upon a time, essentially American. Scott is responsible for those bright red telephone boxes gracing Great Britain since 1
George Sowden began his career in the old school of design, before you could work from the comfort of your own bedroom with a computer on your lap. Sowden learned early the absolute necessity of working with others to avoid mistakes. Educated at the Gloucester College of Art, and later at the Olivett