Trained in philosophy at Harvard under Stanley Cavell before the cinema at AFI, Malick’s slim oeuvre foregrounds this inheritance: each of his four features to date is a period piece of American history; each trains an eye on the natural world (and its relationship with humans and human technologie

Atmospheric, Beautiful , Chance, Citational, Contemplative, Dreamy, Ebullient, Elegant, Event, Feminine, Figurative, Fleeting, Flux, Hypnotic, Illusive, Joyful, Lyrical, Melancholy, Mythic, Open-ended, Perceptual, Playful, Polychromatic, Primal, Quiet, Rhythmic, Self-reflection, Silence, Smart, Sprawling, Sublime, Tragic, Tranquil, Violent, Visceral

Sherman J. Alexie, Jr. was born in October 1966. A Spokane/Coeur d'Alene Indian, he grew up on the Spokane Indian Reservation in Wellpinit, WA, about 50 miles northwest of Spokane. Born hydrocephalic (water on the brain), Alexie underwent brain operation at the age of six. He survived the surgery,

Angry, Dark, Death, Deconstructive, Dreamy, In-your-face, Lyrical, Mythic, Native american fiction, Native american poetry, Pioneering, Playful, Political, Post-colonialism, Rhythmic, Rough, Spiritual, Tragic, Tribal

Just a guy with a blog (or five) and a love of film, liquids and words. Like WSB, I eat images. Like everybody else, I keep getting older; I just happen to write about it, from a particular angle, on the internet where everybody can see. Sometimes people pay me to write things. I also make little mov

Architectural, Event, Excessive, Flux, Hermeneutics, Joyful, Layered, Lyrical, Mythic, Open-ended, Perceptual, Playful, Repetition, Science fiction, Sensual, Slangy, Sprawling, Urban

When artists come together in a spirit of union, they inevitably need a pulpit from which to expound their theories. For the Brits making films in the late '40s and early '50s, that pulpit was Sequence. Many filmmakers of the Free Cinema Movement and the British New Wave found the pages of this journ

Dark, Lyrical, Violent, Visceral, Young british/kitchen sink/free cinema