Something wonderful happened in Brazil in the late 1960s. Stevie Wonder's soul-funk, Bob Marley's revolutionary reggae, and the smooth bossa nova of Joao Gilberto came together in one person: Brazil's irreplaceable Gilberto Gil.
As a youth raised in rural Bahia, Gil was intoxicated by the bossa
One dance writer hailed Mark Morris as "our Mozart of Modern dance," and the comparison is not unfounded. Like Mozart, Morris has proven to be both an incredibly prolific artist and an outspoken rabble-rouser. But it is his musicality that truly cinches the comparison. Mark Morris began making dances