The legendary "granny of Mexican cinema" began her movie career when she was a 22-year-old teacher in a nun's school for girls. One day, young Sara's attention was attracted to a small building in downtown Mexico City. Inside it was Azteca Films, one of the very fir
Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li