The early nineteenth century's cultural explosion owed much of its excitement to the battle between two opposing artistic camps. Fading Romanticism and youthful Classicism were throwing punches, and Goethe felt the tug of both sides. He considered both angles: the humanistic force of Romanticism h
"The writer is in a god-like relation to what he creates," Martin Amis once mused in an interview. The question that logically follows is: what kind of god is Amis? Well, he is clearly not the god of Leibniz, who could only create the "best of all possible worlds." In fact, the case could easily be m
Applying the strategies of Deconstruction to Post-Colonialism, Gayatri Spivak seeks to undermine the power of centralized
discourses in the interest of clearing a space for marginalized voices.
Known for her ample erudition and opaque theoretical texts, Spivak combines abstract philosophical specu
To call Terre Thaemlitz experimental is a generalization of the worst kind. Thaemlitz is a musical experimenter, to be sure. But he's also a social experimenter, a technological experimenter, and a gender experimenter. Thaemlitz is a philosopher who uses his sonic thinkscapes as social treatises and