Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li
If Walter Ruttman had not been killed while making a newsreel on the frontlines of World War II, the history of film might have turned out differently. He made breathtakingly beautiful movies -- both animated and shot --that radically departed from the traditional narratives of contemporaries like Ch